madison alexa garay
Photo by Dominic Valdez, in Glenrio, NM/TX, 2024.
art historian + route 66 mystic
Madison Garay is a Master’s student in Art History at UNM, with an emphasis in Art of the Americas, and a research fellow at the Center for Southwest Research. Her research at UNM focuses on transient spaces (interstates, highways), placemaking through material culture, and formulation of regional identities on historic Route 66 through the American Southwest. Generally, she is concerned with the internet space as a new facet in the visualization of geographic identity in the United States, and how it can platform communal archival projects. Madison holds a B.A. in History of Art and Visual Culture from the University of California, Santa Cruz. She is interested in expanding her Route 66 photographic research with interdisciplinary creative practices, such as poetry, zine-making, and video collage.
Growing up among the green rolling hills of the San Francisco Bay Area (Fig. 1) largely influenced Garay's research interests: the nexus of technology and ecology, a tension traversing the historic overlap between [mechanical:synthetic] and [organic:natural] in the diverse geographies of the western United States. Her research investigates the shifting visual paradigms in seeing, confronting, and manipulating the American landscape in the 21st century.
Outside of the university, Garay engages in casual internet anthropology and artistic practice, articulating deep digital memory through video collages and excavating web artifacts on Twitter, Tumblr, TikTok, Instagram, and YouTube. Most importantly, she is a bonafide roadfan.
Figure 1. Charles O' Rear, Bliss (Bucolic Green Hills), photograph on 120mm film (Fujichrome Velvia 50, medium format), 1996. Napa Valley, California, United States.
"Futhermore, any hope for the Internet to make things easier, to reduce the anxiety of my existence, was simply over – it failed – and it was just another thing to deal with. What we mean when we say "Internet" became not a thing in the world to escape into, but rather the world one sought escape from... sigh... It became the place where business was conducted, and bills were paid. It became the place where people tracked you down."
"I almost see the Google camera as the modern concept of God. It knows everything but does not act in history. It takes no positions, but it’s there, watching."
"Operational images are images that do not depict or represent, entertain or inform but rather track, navigate, activate, oversee, control, visualise, detect and identify. Operational images are instruments that perform tasks and carry out functions as part of an operation. The family of operational images includes various imaging technologies and processes that typically couple cameras or sensors with some type of image processing software: unmanned aerial vehicles, autonomous cars, industrial and home robots, medical imaging (MRI, CT or CAT scanners), industrial scanners and CCTVs, geographic information systems (digital maps and navigations), and many other examples of primarily automated visual systems that open up questions of images to encompass non-entertainment contexts of visual technologies."
on Harun Farocki's operational image, articulated by the Czech Science Foundation